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3(59)/2019
doi:10.5277/ARCHITECTUS

Contents
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Bethania Barbosa B. de Souza
The evolution of the artist’s book in printmaking and transdisciplinarity as its essence…3
doi:10.5277/arc190301
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Svitlana Smolenska
Avant-garde architecture and art of the 1920s–1930s in Ukraine and European modernism: interpenetration methods…11
doi:10.5277/arc190302
Juan Carlos Ramos Guadix
Repetition. A journey to the limits of the matrix…19
doi:10.5277/arc190303
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Dorota Maria Kurażyńska, Juan J. Cabrera-Contreras
Image: From Being a God[dess] to Become a Flatus vocis – Mitchell’s “Family of Images” (part 1)…23
doi:10.5277/arc190304
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Agnieszka Rożnowska-Jasiewicz
The importance of drawing. Drawing as a means of seeking form…33
doi:10.5277/arc190305   
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Leszek Maluga
Mural as a visual form in the architectural and urban space of Mexico…41
doi:10.5277/arc190306
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Ewa Cisek
Contemporary Scandinavian sculpture as an element introducing the narrative of a place and accentuating the boundaries of architectural space…57
doi:10.5277/arc190307
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Alina Lipowicz-Budzyńska
Art glass as an external partition – its impact on visual and functional properties…69
doi:10.5277/arc190308
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Francisco Antonio García Pérez
Buildings, archetypes and cosmogonies on the edge of the contemporary city…83
doi:10.5277/arc190309
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Beata Juchniewicz
Correspondage – postcards from Wrocław. Reading the city…91
doi:10.5277/arc190310
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Karolina Jaklewicz
Geometry on the border of narration…105
doi:10.5277/arc190311
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Piotr Wesołowski
Geumgang Nature Art Biennale 2017–2018 – case study…113
doi:10.5277/arc190312
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Jerzy Olek
Extracting out of context…127
doi:10.5277/arc190313
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Reports
  
Editorial Board
Unveiling of a commemorative plaque dedicated to Professor Edmund Małachowicz – honorary member of ICOMOS…143
doi:10.5277/arc190314
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Instructions for authors
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